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Relics Of Joy - Music of Bunting and Moore revisited

by Colman Rushe

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1.
Has sorrow thy young days shaded As clouds o’er the morning fleet To fast have those young days faded That even in sorrow were sweet Does time with his cold wind wither Each feeling that once was dear. Then, child of misfortune, come hither I’ll weep with thee tear for tear Has hope like the bird in the story That fleeted from tree to tree Like the talisman’s glittering glory – Has hope been that bird to thee? On branch after branch alighting, The gem did she still display, And, when nearest and most inviting. Then take the fair gem away If thus the young hours have fleeted When sorrow itself looked bright If thus the fair hope had cheated, that lead thee along so light If thus the cold world now wither Each feeling that once was dear Then, child of misfortune, come hither, And I’ll weep with thee tear for tear
2.
At the mid hour of night, when stars are weeping, I fly To the lone vale we lov'd, when life shone warm in thine eye; And I think that, if spirits can steal from the regions of air, To visit past scenes of delight, thou wilt come to me there, And tell me our love is remember'd, ev'n in the sky Then I sing the wild song, which once 'twas rapture to hear When our voices both mingling, breath'd like one on the ear; And, as echo far off through the vale my sad orison rolls, I think, oh my love! 'tis thy voice from the kingdom of souls Faintly answering still the notes that once were so dear.
3.
Farewell, but whenever you welcome the hour That awakens the night-song of mirth in your bower, Then think of the friend who once welcom'd it too, And forgot his own griefs to be happy with you. His griefs may return, not a hope may remain, Of the few that had brighten'd his pathway of pain, But he ne'er will forget the short vision that threw, It's enchantment around him, while ling'ring with you. And still on that evening when pleasure fills up, To the highest top sparkle each heart and each cup, Where 'ere my path lies, be it gloomy or bright, My soul, happy friends, shall be with you that night. Shall join in your revels, your sports, and your wiles, And return to me beaming, all o'er with your smiles. Too, blest if it tells me that 'mid the gay cheer, Some kind voice had murmer'd, "I wish he were here!" Let Fate do her worst, there are relics of joy, Bright dreams of the past, which she cannot destroy, Which come in the night-time of sorrow and care, And bring back the features that joy used to wear. Long, long be my heart with such memories fill'd, Like the vase in which roses have once been distill'd. You may break, you may ruin the vase if you will, But the scent of the roses will hang 'round it still.
4.
The Minstrel Boy to the war is gone In the ranks of death you will find him; His father's sword he hath girded on, And his wild harp slung behind him; "Land of Song!" said the warrior bard, "Tho' all the world betrays thee, One sword, at least, thy rights shall guard, One faithful harp shall praise thee!" The Minstrel fell! But the foeman's chain Could not bring that proud soul under; The harp he lov'd ne'er spoke again, For he tore its chords asunder; And said "No chains shall sully thee, Thou soul of love and brav'ry! Thy songs were made for the pure and free, They shall never sound in slavery!"
5.
Oft in the stilly night Ere slumber's chain has bound me, Fond Mem'ry brings the light Of other days around me: The smiles, the tears of boyhood's years, The words of love then spoken; The eyes that shone, Now dimm'd and gone, The cheerful hearts now broken! Thus in the stilly night Ere slumber's chain has bound me, Sad Mem'ry brings the light Of other days around me. When I remember all The friends, so link'd together, I've seen around me fall Like leaves in wintry weather, I feel like one Who treads alone Some banquet-hall deserted, Whose lights are fled, Whose garlands dead, And all but he departed! Thus in the stilly night Ere slumber's chain has bound me, Sad Mem'ry brings the light Of other days around me.
6.
Love thee dearest love thee Yet by yonder star I swear Which through tears above thee Shine so sadly fair Thou too oft dim with tears like him Like him my truth will shine And love thee dearest love thee Yes - till death I’m thine Leave thee dearest leave thee No – that star is not more true When my vows deceive thee He will wander too A cloud of night may veil his light And death shall darken mine But leave thee dearest leave thee No – till death I’m thine
7.
Believe me if all those endearing young charms which I gaze on so fondly today were to change by tomorrow and fleet in my arms like fairy gifts fading away Thou wouldst still be adored as this moment thou art let thy lovliness fade as it will and arounf the dear ruin each wish of my heart would entwine itself verdantly still it is not while beauty and youth are thine own and thy cheek unprofaned by a tear that the fervor and faith of a sould can be known to which time will but make thee more dear oh the heart that has loved never truly forgets but as truly lives on to the close as the sunflower turns on her God as He sets the same look that she gave when He rose
8.
There is not in the wild world a valley so sweet As the vale in whose bosom the bright waters meet; Oh! the last rays of feeling and life must depart Ere, the bloom of that valley shall fade from my heart Ere, the bloom of that valley shall fade from my heart Yet it was not that nature had shed o'er the scene Her purest of crystal and brightest of green; "twas not her soft magic of streamlet or rill Oh! no, it was something more exquisite still Oh! no, it was something more exquisite still "twas that friends, the belov'd of my bosom, were near Who made every dear scene of enchantment more dear; And who felt how the best charms of nature improve When we see them reflected from looks that we love When we see them reflected from looks that we love Sweet vale of avoca, how calm could I rest In thy bosom of shade with the friends I love best Where the storm that we feel in this cold world should cease And our hearts like thy waters, be mingled in peace And our hearts like thy waters, be mingled in peace
9.
Erin! the tear and the smile in thine eyes Blend like the rainbow that hangs in thy skies! Shining through sorrow’s stream, Saddening through pleasure’s beam, Thy suns, with doubtful gleam, Weep while they rise! Erin! thy silent tear never shall cease, Erin! thy languid smile ne’er shall increase, Till, like the rainbow’s light, Thy various tints unite, And form, in Heaven’s sight, One arch of peace!
10.
'Tis the last rose of summer Left blooming all alone, All her lovely companions Are faded and gone. No flower of her kindred, No rose bud is nigh, To reflect back her blushes, And give sigh for sigh. I'll not leave thee, thou lone one, To pine on the stem. Since the lovely are sleeping, Go sleep now with them. Thus kindly I scatter Thy leaves o'er the bed Where thy mates of the garden Lie scentless and dead. So soon may I follow When friendships decay, And from love's shining circle The gems drop away! When true hearts lie withered And fond ones are flown Oh! Who would inhabit This bleak world alone?
11.
The harp that once through Tara's halls the soul of music shed now hangs as mute on Tara's walls as if the soul were fled So sleeps the pride of former days so glory's thrill is over and hearts that once beat high for praise now feels that pulse no more No more to chiefs and ladies bright the harp of Tara' swells the chord alone that breaks at night its tale of ruin tells Thus freedon now so seldom wakes the only throb she gives is when some heart indignant breaks to show that still she lives

about

These songs, many of which gained world-wide popularity, were composed 200 years ago by Irish poet Thomas Moore. He wrote lyrics for ancient Irish tunes which had been collected by Edward Bunting and others. Moore's occasional modification of the tempo and melody of the original airs caused a rift with Bunting.
This is my attempt to give a modern rendition of Moore's Melodies, to compare the songs to the airs which inspired them, and to introduce them to a new audience.
The original airs, as transcribed by Bunting and others, are played on piano as an intro (and sometimes outro) to the tracks.
For more about Moore and Bunting, see my blog at colmanrushe.wordpress.com/2021/01/19/moore-and-bunting-a-musical-feud/

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released January 19, 2021

vocals, guitars, bass and keyboards by Colman Rushe.

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Colman Rushe AL, Spain

Colman Rushe is an Irish writer and musician who lives in Spain. He has published a number of books which are available at www.amazon.co.uk/~/e/B00IHF5XHK. He also blogs at colmanrushe.wordpress.com

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